Friday, January 27, 2017 (6PM -8PM)
3080 N Washington Blvd, #40, Sarasota
Media on view include photo-realistic and abstract painting, color and black-and-white photography, and video installation. Each artwork represents the artist’s individual style, as well as the commonality of an investigative approach.
Facebook Event Link: https://www.facebook.com/events/1391918094182614/
Meet the Artists
Dustin Juengel earned a BFA in Illustration from Ringling College of Art and Design and a MA in Fine Arts from Chelsea College of Art and Design. He is a visiting Faculty member in the FA department at Ringling College and serves as exhibition curator for Art Center Sarasota. His work has been exhibited in the U.S., UK and Germany.
For In Process, I will be exhibiting new photographs from the Cassadaga Spiritualist Camp in Cassadaga, Florida. I’ve been fascinated by spiritualism and the metaphysical world for most of my life, and I’ve touched on these themes in previous bodies of work. I plan to return to this vibrant community and explore the landscape and its residents as I build upon this new series.
“Spiritualism is the science, philosophy, and religion based upon the principle of continuous life, demonstrated through mediumship”, (Cassadaga Spiritualist Camp, Rev. Mary Rose Gray).
Modern spiritualism began in the 1840s, and still continues today at the Cassadaga Spiritualist Camp in Cassadaga, Florida. Spirit Doors were used during séances so spirits could enter and exit homes easily. Many of them still remain on homes in Cassadaga, but have been closed due to obvious dangers. Spiritualists do not believe in the concept of ghosts, but spirits, who are allowed to come and go, and are not “stuck” as ghosts are often described.
Nathan Skiles lives and works in Sarasota, FL and is an instructor at the Ringling College of and Design. Recent exhibitions include: The Clockmaker’s Apprentice, The Hunterdon Art, Clinton, NJ; Black Forest / White Lightning, Sloan Fine Art, New York, NY; Welcome to Tartarus, Welcome to Valhalla, Greene Contemporary, New York, NY
Sarah Viviana Valdez
Valdez’s work is an investigation on play within order, which has been a common occurrence all throughout her undergraduate work up to present. She currently works in a variety of platforms. The medium of curation allows her to assemble exhibitions as a way to often challenge the institution and its predecessors. She uses live performances combining sound and visuals to explore the malleability of environments, both spatially and on the level of human interaction (the audience-performer relationship). Her primary focus as of late has been the use of digital processes in conjunction with microbial substance, under the loose guise of fashion.
Valdez has been working with unconventional materials that biodegrade in order to merge biology with technology. The proliferation of new technological products assimilated into our daily lives has softened our natural senses and is in the process of divorcing humanity from its very ‘human’-ness. Her use of biological and technological materials proposes a needed identity for herself and to our developing counter-culture — to establish a true connection to the natural decaying world by having a symbiotic exchange with the objects we wear as our second skin. Valdez believes that working with multiple tools and platforms creates pathways within each medium and transforms them into useful objectives to aggregate desire, leisure and productivity for the viewer and herself.
The Black-and-White series is a collection of traditional, black-and-white photographs, created using thirty-five-millimeter film, that are printed in ways which guide viewers’ interpretations toward theories of postmodernism.
This is accomplished by including nuanced cues that expose the physical elements of the medium, in an attempt to create unique objects that allegorically counteract the infinite reproducibility of digital photographs.
By photographing places and objects that illustrate themes of banality, simulation, and fragmentation, then subsequently printing those images in a traditional process that can degrade, stain, or be subject to arbitrary variations outside of my control, the Black-and-White series utilizes photography’s affinity for depiction in order to convey a sense of lost reality.
3080 N Washington Blvd, #40, Sarasota, FL