August 21 – October 28, 2017
USF Contemporary Art Museum
USF Contemporary Art Museum (USFCAM) presents a solo exhibition of video installations and drawings by Belgian artist David Claerbout. Throughout his career, Claerbout has investigated the conceptual impact of the passage of time through his use of video and digital photography.
As scholar David Green has explained, “Claerbout’s work subtly proposes a relationship of similitude between film and the objective world that lies outside and beyond the narrative space of cinema. In doing so he poses a set of questions about how we experience film and about the nature of the medium itself.”
Specifically, Claerbout manipulates both moving and still imagery to suggest an otherworldly level of existence, something that might refer to a specific place or event, but the timeline of which is not clear, oscillating between both past and present. The element of sound is critical in many of the works, often used as either a narrative device or a “guide” for the viewer to navigate the architectural space in the film.
Claerbout’s oeuvre is characterized by a meticulous attention to production details, painstakingly created often over a period of years. The resultant works are immersive environments in which the viewer is invited to engage both philosophically and aesthetically.
David Claerbout is curated by Margaret Miller; organized by USFCAM.
For more information, please visit the artist’s website.
Claerbout studied at the Nationaal Hoger Instituut voor Schone Kunsten in Antwerp from 1992 to 1995 and participated in the DAAD: Berlin Artists-in-Residence program from 2002 to 2003. Claerbout’s work is included in major public collections worldwide, including: Centre Pompidou, Paris, France; Pinakothek der Moderne, Munich, Germany; Art Gallery of Ontario, Toronto, Canada; The Museum of Contemporary Art, Los Angeles; Walker Art Center, Minneapolis and many others. He has been the subject of numerous solo exhibitions internationally, including: Kunsthalle Mainz, Mainz, Germany (2013); Secession, Vienna, Austria (2012); Tel Aviv Museum, Tel Aviv, Israel (2012); SFMOMA, San Francisco (2011); WIELS, Brussels, Belgium (2011); Museum De Pont, Tilburg, The Netherlands (2009); Centre Pompidou, Paris, France (2007); Kunstmuseum, St. Gallen, Switzerland (2008); and Van Abbemuseum, Eindhoven, The Netherlands (2005). David Claerbout lives and works in Antwerp, Belgium and Berlin, Germany.
Friday August 25
ART LECTURE – SLOW PICTURES: CHRISTIAN VIVEROS-FAUNÉ ON THE ART OF DAVID CLAERBOUT
6pm, USF School of Music Concert Hall
NY-based critic Christian Viveros-Fauné will speak on the work of artist David Claerbout celebrating CAM’s fall exhibition David Claerbout. American Sign Language Interpreters will be available at this event.
7–9PM, USF Contemporary Art Museum
Thursday, September 14
ART THURSDAY: LAST YEAR AT MARIENBAD FREE FILM SCREENING
Join us for a free screening of this French New Wave masterpiece. USFCAM Director Margaret Miller will lead a discussion with USF faculty about the film and its pertinence to the David Claerbout exhibition, including a short introductory presentation and a post film conversation in the lobby with refreshments.
Thursday, October 5
ART THURSDAY: DAVID CLAERBOUT CURATOR’S TOUR
6–8pm, USF Contemporary Art Museum
Thursday, October 12
DAVID CLAERBOUT EXHIBITION TOUR
12pm, USF Contemporary Art Museum
Thursday, October 26
ART THURSDAY: USF PHOTOGRAPHY STUDENT SHOWCASE
6–8pm, USF Contemporary Art Museum
Photography students in the USF School of Art and Art History will respond in various ways to the David Claerbout exhibition.
ABOUT USF CONTEMPORARY ART MUSEUM
USF Contemporary Art Museum (USFCAM) organizes and presents significant and investigative exhibitions of contemporary art from Florida, the United States and around the world. Serving as a teaching laboratory, USFCAM’s curatorial and socially engaged initiatives and educational programs are designed to present the students, faculty, and community with current issues of contemporary art practice, and to explore the role of the arts in society. USFCAM publishes relevant catalogues, presents critically recognized traveling exhibitions and commissions new projects by national and international artists. USFCAM maintains the university’s art collection, comprising more than 5000 contemporary art works.
MUSEUM HOURS + ADMISSIONS
USFCAM Hours: Mon-Fri 10am-5pm, Thurs 10am-8pm, Sat 1-4pm. Closed Sunday and University holidays
Admission to the Museum is free; however a USF parking permit ($5.00 daily) or pay-per-space parking is required. Please visit our website cam.usf.edu <http://cam.usf.edu/> for parking, directions, or more information on events associated with the exhibitions. Groups and organizations interested in tours should contact USFCAM to schedule at least two weeks in advance. Call (813) 974-4133 for additional information.
CONTEMPORARY ART MUSEUM | Institute for Research in Art
“The Standard Model” refers to the theory of the fundamental interactions in particle physics—an experimentally validated model that most contemporary physicists share.
March 28 – May 4, 2013
Allyn Gallup, Sarasota, FL
A reception, with the artist, is April 5, 6-8 p.m.
“Peter Stephens’ abstract paintings in this show, part of his celebrated ‘The Standard Model’ series, are precise, otherworldly and fascinating,” says Allyn Gallup, director of the gallery. “Peter’s imagination accepts no boundaries. His work invites the viewer through an amazing itinerary of many possible worlds and, so far, he hasn’t hit the outer limits yet.”
“The Standard Model” refers to the theory of the fundamental interactions in particle physics—an experimentally validated model that most contemporary physicists share. According to Stephens, this theory’s implications are both microcosmic and macrocosmic. “It affects both our understanding of subatomic particles and the cosmos as a whole system,” he says. “I find nature to be most sublime at these extremities of scale. To paraphrase J.B. Haldane, ‘The universe is not only stranger than we imagine, it is stranger than we can imagine.'”
Referring to the paintings in this series as, “layered systems that form analogs to the biological, chemical, and even psychological components that construct our world view,” Stephens paints incessantly, using multiple, transparent layers of ink, and acrylic and oil paints and shellac—resulting in rich saturated colors and astounding dimensionality.
A resident of Buffalo, N.Y., Stephens graduated from the School of the Art Institute of Chicago and attended the University of Siena in Italy. His work is included in major collections, including at the Albright-Knox Art Gallery, Brooklyn Museum, and Burchfield-Penney Art Center. The artist’s work is also exhibited at galleries in Chicago, Toronto, New York City, La Jolla, and Buffalo. For more information about Peter Stephens, visit www.peterdstephens.com.