SARTQ: RED

Sarasota visual art collective with new exhibit around the theme of the color red. Palmetto Art Center, February 10 – March 9, 2017

February 10 – March 9, 2017
Palmetto Art Center
Opening Reception Friday, February 10 6-9pm

SARTQ: RED exhibition, will fill the beautiful Palmetto Art Center with glowing color. Whether scarlet, crimson, maroon, vermilion, berry, ruby, rose, burgundy, carmine, brick, or cerise – red is both satisfying and exciting. The strong feelings suggested by the color red – passionate love, blood and anger – are always stimulating!

“A thimble full of red is redder than a bucketful.” – Henri Matisse

The 10 artists in the exhibition celebrate the many ways to see the color red. “Red can boost your energy, it exudes confidence and is life-affirming. In addition, this exhibition gives all art lovers something different to do with their sweethearts for their Valentine’s celebration,” says SARTQ co-founder Tim Jaeger.

The artwork in this group show includes printmaking, collage, drawing, video installation, sculpture and painting. In addition, FREE red silk screened prints will be made for the public right before their eyes while meeting the members of SARTQ. Attendees may bring their own clothing items such as t-shirts, pants, scarfs etc., though any item that can lie flat under the screen and will accept ink can be printed on.

SARTQ: RED exhibition is open to the public with no admission fee. Cash bar and live music by Hunter Brown will be provided. Following the opening reception, the Palmetto Art Center gallery will be open Saturday, February 11th from 11AM – 1PM. Also, Mondays, Tuesdays and Thursdays, Noon – 2PM, and by appointment.

The 10 participating SARTQ artists include Jeffery Cornwell, Elena De La Ville, Zachary Gilliland, Tim Jaeger, Cassia Kite, Jenny Medved, Laine Nixon, Javier Rodriguez, Steven Strenk, and Jill Taffet

For more information:
941.518.2109
sartq.org
info@sartq.org

The Palmetto Art Center is located at:
907 5th Street West, Palmetto, Florida, 34221.
Right next door to Grower’s Hardware Store

Cunsthaus presents We Want A President

In continuing efforts to provide engaging cultural programs and experiences through a collaborative and feminist curatorial perspective, Cunsthaus is proud to present its first juried exhibition.

January 21st – February 18th
4634 N. Florida Avenue, Tampa, FL

Opening on the first day of a new and controversial presidential term, while marches are being organized around the globe in support of equal rights, this all-media exhibition features works inspired by artist Zoe Leonard’s 1992 manifesto “I want a president” and is intended to incite reflection, discussion and activism that explores our demands and desires for a Head of State. With works selected by guest juror Margaret Miller, Director of University of South Florida’s Institute for Research in Art, exhibiting artists include Monique Blom, Will Douglas, Keiff Jones, Vincent Karl, Daniela Mora, Libbi Ponce, Ivan Riascos, and Julie Wills with The Bridge Collaborative.

We Want a President
The Bridge Collaborative, Wish We Were Here (White House), 2016. Color postcard.

About the Juror:
Margaret Miller is a tenured Professor in the School of Art and Art History and Director of the Institute for Research in Art at the University of South Florida in Tampa, Florida. The Institute for Research in Art is dedicated to organizing and presenting exhibitions and commissioning works by internationally significant emerging and acclaimed artists. Miller holds an MA degree from the University of Hawaii in Asian Art History. From 1978 to 2001 she served as Director of the USF Contemporary Art Museum and in 2001 was appointed to also serve as Director of Graphicstudio, USF’s renowned art production atelier. The Contemporary Art Museum, Graphicstudio and USF’s Public Art Program form the Institute for Research in Art in the College of The Arts. During her tenure at USF she has taught at both the undergraduate and graduate levels and curated numerous exhibitions with accompanying catalogues.

About CUNSTHAUS:
CUNSTHAUS was established in the spring of 2016 by fourteen women in the Tampa Bay-area with practices in education, visual art, music, curation, and writing. Sited next to artist-run gallery space Tempus Projects, established in 2009, CUNSTHAUS is further developing the Seminole Heights neighborhood as an arts destination. Offering unique exhibitions and events spanning a range of media and a varied survey of artists, CUNSTHAUS’ primary mission is to create a space for artistic expression, dialogue and reflection contributing to the arts community within the local neighborhood of Seminole Heights and the Tampa Bay region.


Feminist Art Collective Cunsthaus presents
We Want A President
January 21st – February 18th
4634 N. Florida Avenue, Tampa, FL

www.tempus-projects.com
tempusprojects.art@gmail.com
813.340.9056

Tempus Projects Presents: YOU DRAIN ME

Tempus Projects presents YOU DRAIN ME, a new group exhibition featuring the artwork of Ryann Slauson, Jamie Steele, Maria Britton, Aliza Morell, Becky Flanders, April Childers, Wendy Babcox, Langdon Graves, and Leslie Vigeant.

January 21, 2017
Opening Reception (7PM – 9PM)
Tempus Projects, Tampa

Through a variety of media from artists based throughout the country, the exhibition sets its focus on melancholic themes often coupled with tenderness. The work highlighted in YOU DRAIN ME evoke a poignancy at times softened by unexpected humor. As the title suggests, the collection reflects a psychological continuum stretching across the taxing nature of complex emotional states and its the release of catharsis.

I AM THE DOOR THAT NO MAN CAN SHUT by Becky Flanders
I AM THE DOOR THAT NO MAN CAN SHUT by Becky Flanders

Artist Maria Britton, for example, pairs the immediacy of her improvisational painting with the especially intimate support of found patterned bed sheets. The comfort, emotional and physical, associated with such bedding is interrupted by knots plaited into the fabric, stains of acrylic paint blossoming like hazy memories and forceful brushwork motifs.

Ambivalent by Ryann Slauson
Ambivalent by Ryann Slauson

Similarly, the work of Langdon Graves presents domestic objects eerily emptied of their functionality, thereby foregrounding its deeply complex accretion of memories and emotional associations. Other artists such as Ryann Slauson and April Childers commandeer popular and familiar imagery, liberating such visuals of their overt significance in favor of an ambiguity that sparks unexpected associations, narratives and personal recollections.

Not Exactly by Langdon Graves
Not Exactly by Langdon Graves

The artwork of YOU DRAIN ME circumvents a tinny sentimentality toward eliciting a genuine sense of pathos. It sets off from an unabashed contemporary context–an image saturated and hyperconnected landscape–and candidly investigates the activity of an inner panorama.

The event is sponsored in part by The Gobioff Foundation, The Arts Council of Hillsborough County, Stanton Storer Embrace the Arts Foundation, The Knox Family Foundation, and Mermaid Tavern. Please join us for an afterparty at the Mermaid Tavern directly following the reception at 9pm.

Facebook Event Page: https://www.facebook.com/events/721592507996085/


Tempus Projects
4636 N Florida Ave.Tampa, FL 33603
www.tempus-projects.com
tempusprojects.art@gmail.com
813.340.9056

About Tempus Projects

TEMPUS PROJECTS is dedicated to nurturing established and emerging local, national and international artists through exhibitions and events. The non-profit organization promotes artists working in all media and originates, organizes, and hosts exhibitions that engage the Tampa Bay community through the visual arts. Established in 2009, TEMPUS PROJECTS has presented numerous exhibitions and art-related programs featuring the work of dynamic and engaging artists and collaborators.

Located on Florida Avenue in South Seminole Heights, TEMPUS PROJECTS has contributed greatly to the district’s emergence as a unique and creative local destination. In acknowledgment of its contributions to the arts and the community, Tampa’s Creative Loafing has awarded it the Best Alternative Art Space award for four years in a row. TEMPUS PROJECTS has worked in collaboration with Experimental Skeleton, Silver Meteor Gallery, Bluebird Books, Tampa’s Downtown Partnership and Creative Loafing.

The Value of Long-Form Journalism in Contemporary Art

Art Center Sarasota, in partnership with The Hermitage Artist Retreat, presents a panel discussion moderated by Dr. Ann Albritton, panelists include Chris Jones and Michael Wyshock.

January 18, 2017 (6:30 PM)
Art Center Sarasota

Art Center Sarasota, in partnership with The Hermitage Artist Retreat, presents “The Value of Long-Form Journalism in Contemporary Art,” a panel discussion moderated by Dr. Ann Albritton, professor of contemporary art history at Ringling College of Art and Design. Panelists include the artist Michael Adno; Chris Jones, curator of works on paper at The Ringling; and Michael Wyshock, an artist and professor of fine arts at Ringling College.

This event is free and open to the public. An advanced reservervation is required. Email sarah@artsarasota.org to reserve a seat now (seating is limited).

Long-Form Journalism in Contemporary Art 2

Lisa Berger, the center’s executive director, says that Michael Adno’s current exhibit at Art Center Sarasota, “Cracker Politics, The Limit of Colonial Knowledge,” will serve as a focal point for the discussion. In his recent work, Adno studies the blurry lines between history and politics and actual experiences. His work involves working with historians, researchers, and local community members over long periods of time.

“The discussion will draw on my exhibition as a departure point to ruminate on the role of long-form journalism and art practices of the 21st century in an increasingly vitriolic political climate where we are seeing diminishing opportunities for those forms of reportage, a backlash against succinct reporting, and a frightening distrust in facts,” says Adno.

Berger adds that Adno asks viewers to explore the role sensationalist journalism plays in our perception of reality. “Is long-form journalism an endangered species? The discussion will address the role artists and writers serve in contemporary culture.”

Michael Adno is a Brooklyn-based artist and writer. He is a 2015 Ringling Towers grant recipient, a Fellow at The Hermitage Artist Retreat and a 2017 nominee for the Smithsonian Artist Research Fellowship.

Long-Form Journalism in Contemporary Art 1

Art Center Sarasota
707 N. Tamiami Trail, Sarasota, FL
941-365-2032
www.artsarasota.org

Duke Riley: Flights of Fancy

January 13 – March 4, 2017
USF Contemporary Art Museum

USFCAM will present a solo exhibition of Brooklyn-based artist Duke Riley, known for his ambitious and immersive projects that investigate historical and contemporary social issues, often through subversive performative action. Featuring two projects in our gallery spaces, DUKE RILEY: Flights of Fancy explores and celebrates Riley’s history of examining the role and relationships of humans and nature through his interactions and interventions with pigeons in public space and the nautical landscape.

Duke Riley

CAM’s Lee and Victor Leavengood Gallery will feature a re-configuration of Duke Riley’s project, Trading with the Enemy (2013), where Riley bred and trained fifty homing pigeons to fly one-way from Havana to Key West, Florida. Half of the pigeons carried Cuban Cohiba cigars, the other twenty-five carried video cameras documenting the journey across the Florida Straits. The exhibition includes a pigeon loft, the smuggled cigars, and videos filmed by the birds, which Riley refers to as the “smugglers” and the “filmmakers”, as well as research material related to the historic flight training of the pigeons. This project specifically references the US trade embargo on Cuba and contributes to the evolving dialogue and diplomatic relationship between the countries as well as referencing the State of Florida’s history of trade with Cuba and its direct influence on the development of the cigar industry and socio-political landscape of Ybor City and West Tampa.

CAM’s West Gallery will include photographs from Riley’s most recent work and largest project to date, Fly By Night (2016), produced for the New York-based public art organization Creative Time. Expanding on his history of working with pigeons, Riley converted a former naval ship into a floating pigeon loft and trained 2000 pigeons, outfitted with small illuminated LED bands, to fly in orchestrated performances above New York City’s East River. Captured during evening performances over the six-week run of the project, the time-lapse photographs document the flight patterns of the birds, swirling, twirling and swooping as moving constellations in the night sky. Paying homage to the waning culture of pigeon fanciers, Riley’s Fly By Night reimagines the role of the pigeon from a nuisance dweller within the urban landscape to a celebrated and revered messenger, companion and collaborator.

Riley’s work encompasses drawing, printmaking (the artist will be in residency at Graphicstudio to create two prints over the course of 2017), mosaic, sculpture, video and performative interventions. His signature style interweaves historical and contemporary events with elements of fiction and myth to create allegorical histories. His re-imagined narratives, presented in his distinct scrimshaw and maritime aesthetic, comment on a wide range of issues, from the cultural impact of overdevelopment and gentrification of waterfront communities, to contradictions within political ideologies as well as commerce and the role of the artist in society and at war.


RELATED EVENTS

CONVERSATION WITH DUKE RILEY *
January 13, 6pm
USF School of Music Barness Recital Hall (MUS107)
Artist Duke Riley joins curator Sarah Howard for a conversation about his work prior to the opening reception.

DUKE RILEY: FLIGHTS OF FANCY OPENING RECEPTION
January 13, 7-9pm
USF Contemporary Art Museum

ART THURSDAY: CURATOR’S TOUR
January 26, 6-8pm
USF Contemporary Art Museum
Join USFCAM Curator Sarah Howard for a tour of Duke Riley: Flights of Fancy.

ART THURSDAY: FOR THE BIRDS *
February 2, 6-8pm
USF Contemporary Art Museum
Come learn about the fascinating world of pigeons with world-class pigeon fancier and “Legend of the Sport” Erio Alvarez from Tampa’s own Alvarez Lofts. Alvarez will discuss the breeding and racing of pigeons and the history of the sport in the Tampa Bay region.

SYCOM CONCERT: MUSIC FOR FLIGHTS OF FANCY
February 17, 7-9pm
USF Contemporary Art Museum
This two-hour concert will feature the students and faculty of USF’s Composition and Electronic Music Studio performing original compositions inspired by the artworks in CAM’s exhibition Duke Riley: Flights of Fancy.

ART THURSDAY: FLY BY NIGHT WITH CREATIVE TIME’S JEAN COONEY *
February 23, 6-8pm
USF Contemporary Art Museum
Learn more about Fly By Night, artist Duke Riley’s public artwork of unprecedented scale and beauty produced by Creative Time, a NY-based public art agency that works with artists to contribute to the dialogues, debates and dreams of our times. Creative Time’s Director of Public Projects Jean Cooney will share insights to the unique challenges presented from her experiences with temporary projects in public space.

*American Sign Language Interpreters will be available at these events.


MUSEUM HOURS + ADMISSIONS

USFCAM Hours: Mon-Fri 10am-5pm, Thurs 10am-8pm, Sat 1-4pm.
Closed Sunday and University holidays (January 16)
Admission to the Museum is free; however a USF parking permit ($5.00 daily) or pay-per-space parking is required. Please visit our website cam.usf.edu for parking, directions, or more information on events associated with the exhibitions. Groups and organizations interested in tours should contact USFCAM to schedule at least two weeks in advance. Call (813) 974-4133 for additional information.

Duke Riley: Flights of Fancy is supported in part by a grant from the Arts Council of Hillsborough County, Board of County Commissioners, and by the USFCAM Art for Community Engagement (ACE) Fund Patrons. The USF Contemporary Art Museum is recognized by the State of Florida as a major cultural institution and receives funding through the State of Florida, Department of State, Division of Cultural Affairs, the Florida Council on Arts and Culture, and the National Endowment for the Arts. The USF Contemporary Art Museum is accredited by the American Alliance of Museums.


University of South Florida
4202 E. Fowler Ave. CAM101, Tampa, FL 33620

(813) 974-4329
fax (813) 974-5130
http://www.ira.usf.edu

Facebook: https://www.facebook.com/usfcamfan
YouTube: https://www.youtube.com/irausf