August 12 – September 17, 2011
Selby Gallery, Ringling College of Art and Design
The internalized experience of sustained living in two cultures (China, Europe) crates a problematic identity for artists that embraces neither culture but instead seeks resolution through individual rather than cultural modes of their work. Curated by Prof. Qin Jian of Xiamen University, Fujian, China.
Opening Reception: Friday, August 12, 5 – 7 p.m.
Director’s Tour: Monday, August 15, 11:30 a.m.
Reception & Curator Talk: Thurs., Aug. 25, 5 – 7 p.m. followed by Curator talk at 7 p.m.
October 8, 2011 – January 8, 2012
Tampa Museum of Art
For more than a decade, New York-based video artist Janet Biggs has explored the tense relationships between athleticism and human ambition, individualism and community, and free will and control. Her work has focused on sports and natural environments and has ranged from the claustrophobic pool with synchronized swimmers to the vast expanse of the High Arctic. Biggs’s work has been exhibited throughout the United States, Europe and Oceania. This exhibition is organized by the Tampa Museum of Art and is the first full survey of the artist’s career.
Janet Biggs, Fade to White (video still), 2010.
Courtesy Conner Contemporary.
Copyright Janet Biggs.
September 17, 2011 – January 29, 2012
Ringling Museum of Art
Celebrating our fascinating circus heritage, The Amazing American Circus Poster showcases 80 brilliantly colored, boldly bombastic posters advertising the feature attractions from all corners of the globe and peerless performers of the big top. The Cincinnati-based Strobridge Lithographing Company was one of the country’s leading printers for the circuses. Their posters were unrivaled in their artistry and provide us with a detailed portrait of the American circus in its Golden Age, when it was unrivaled as the premiere entertainment institution in the country.
The Amazing American Circus Poster exhibition was organized by the Cincinnati Art Museum and The John and Mable Ringling Museum of Art and has been made possible in part by a major grant from the National Endowment for the Humanities: “Because democracy demands wisdom.”