With A Sun

Friday September 16th (6-9pm)
Crossley Gallery, Ringling College of Art

The Crossley Gallery is proud to present new work from Fine Art Seniors Christofer Degrér, Sean Pearson and Kyle Petreycik.  During their junior year the artists had the benefit of attending the New York Studio Residency Program, and are now putting their exposure on view for the Sarasota community.

Connectivity, the body and identity are being discussed with a mixture of humor, romanticism and mystery. This eclectic selection of installation, sculpture, video and photography shows a fascination with the idea of New York as a center, and a point of departure for future artistic development.  The title “With a Sun” playfully denotes the pivotal role of the metropolis, not to mention a shared reflection on the idea of the middle.

Opening Reception: Friday September 16th
6-9pm

Crossley Gallery Ringling College of Art
2698 Bradenton Rd, Sarasota, Florida 34234

2011 Sarasota Chalk Festival

November 1 – 7, 2011
Celebrating the cultural art form of performance pavement art the Sarasota Chalk Festival is lined up to become the most important contemporary venue in the world as the most renowned local, national and international artists use chalk as their medium and the street pavement as their canvas to turn South Pineapple Avenue into a gallery in motion.

November 1-7, 2011
South Pineapple Avenue, Sarasota, FL

Celebrating the cultural art form of performance pavement art the Sarasota Chalk Festival is lined up to become the most important contemporary venue in the world November 1st – 7th as the most renowned local, national and international artists use chalk as their medium and the street pavement as their canvas to turn South Pineapple Avenue into a gallery in motion. This year’s lineup includes innovator of 3D pavement art Kurt Wenner from Washington, Melanie Stimmell Van Latam from California, Michael Kirby from Maryland, Leon Keer from Netherlands, Eduardo Relero from Spain, Vera Bugatti from Italy and Tomoteru Saito from Japan.

This year’s theme is focused on education features works from the art forms thinly document past all the way into today most current contemporary movements. As part of the timeline the festival will honor the Grazie di Curtatone Madonnari with a recreation of the historic 24-hour Madonnari competition that takes place yearly in Mantua Italy during the Feast of the Assumption. Dozens of Italian artists will travel to Sarasota to perform alongside some ambitious American artists in this 24-hour competition that runs November 4th to 5th from 6pm – 6pm that will depict works of art in their tradition of Christian inspiration.

An Exhibition featuring Kurt Wenner’s amazing work will travel from the San Juan Islands Museum to the Ringling College Diana Roskamp Exhibition Hall for a two-week showing October 26th till November 8th. During the festival Wenner will create a pavement drawing with local students marking his first time performed in a festival since 1995. Wenner is a part of the Chalk Festival Lecture Series that will be held at Ringling College and at the 529 Clothesline Gallery The series includes a private evening with Kurt Wenner “Reawakening the Renaissance”, Classical Drawing, 3D and Illusion Techniques, Street Painting Techniques and an in-depth look at the History of Pavement Art. Tickets are on sale at www.ChalkFestival.com or at their Farmer’s Market booth each Saturday till the event.

Renowned Baltimore pavement artist Michael Kirby has partnered with the Sarasota Opera. Kirby will create an elaborate outdoor opera to be constructed at the festival for one-hour excerpts of the famous Madama Butterfly taking place Sunday, November 6th at 11am, 3pm and 8 pm. The set that takes a month to build will feature other performances such as poetry readings, theater and Canadian opera singer Myriam Herman.

New this season, the Chalk Festival is “Going Vertical” with renowned artists Chor Boggie and John Pugh from California, Eduardo Kobra from Brazil, MTO MTO from Germany, Erni Vales from Miami and more. Working on approve properties the artists will create vertical masterpieces including a public art partnership with the City of Sarasota and Jonathan Parks Architect to install 5 public murals in the Palm Avenue Parking Garage starting Tuesday, November 1st.

The 7-day festival will take place Tuesday, November 1st through Monday, November 7th with events in Burns Square and Ringling College. The Chalk Festival will feature dozens of partnerships with other performers in Music, Dance, Poetry, Film, and Theater who are professionals, students and even the little ones just starting their performance experience.

The Sarasota Chalk Festival is organized and managed by the Avenida de Colores 501c3 volunteer nonprofit and is a family event that is free and accessible to all. www.chalkfestival.com

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SCHEDULE OF EVENTS:

NOVEMBER 1 – 7
Illussion, 3D and Persective Artists Performing
400-500 S. Pineapple Avenue in Burns Square over a dozen internationally renowned street artists will create large 3d works of art. The works, which fool your eye and tickle your mind taking several days to complete. The creative development of scale, distor- tion perspective and illusion as the works are created is a performance worth watching.

November 4 – 6
Traditional, 2D and Contemporary Artists Performing
300-600 S. Pineapple Avenue in Burns Square hundreds of artists will transform the pavement into a performance art museum in motion starting on friday morning and completing by sunday.

November 4 – 5
500 S. Pineapple Avenue in Burns Square
Madonnari Competition
over a dozen artists with the help of artists from italy will recreate the Madonnari competition to honor the Grazie that takes place in Mantova italy yearly since 1972. The Grazie is responsible for keeping the cul- tural traditions of street painting alive. artists will fol- low the rules and regulations of the Grazie using dry chalk to create works of art with christian inspiration. artists will work 24-hours straight to complete their works. a blessing of the chalk will take place at 5 pm.

Student Chalk Art Competition
November 5
Whole Foods Market Centre on 1st Street, Downtown
students will turn the sidewalks along whole foods Market centre into an art gallery for this one-day com- petition. little children are also encouraged to chalk.

Little Chalkers – Children at Heart
November 5 & 6, 9 am – 5 pm – Public Participation
Oak Street between S. Pineapple & Palm Avenues in Burns Square
an entire city block is dedicated to children and the young at heart to create their own mini-masterpieces during the event. chalk will be provided and it is free to all to participate. Please come inspire and be in- spired by everyone who wants to give chalk art a try.

Viewing Day – Completed Artwork
November 7, 8 am – 7 pm
300-600 S. Pineapple Avenue in Burns Square
come enjoy the neighborhood, have lunch, catch a movie at Burns court cinema and see the completed artwork before all the artwork is completely removed before the next day.

Kurt Wenner Museum Show
October 26- November 8
Ringling College – Diana Roskamp Exhibition Hall
showcasing the unimaginable skills of a true renais- sance man and master 3-d artist, kurt wenner. The exhibition will feature original oils and pastels, pre- liminary sketched for his pavement art, drawings of historical characters and fantasy worlds, plus memo- rabilia from decades of world travel and sidewalk painting. The show will also include the history of sidewalk art from around the world.

Opera Madama Butterfly
November 6th, Three Shows: 11am, 3pm, 8pm
Dolphin Street in Burns Square
renowned Baltimore artist, Michael kirby has created an outdoor set for the sarasota opera to perform one- hour excerpts of Madama Butterfly live at the sarasota chalk festival. The set is located at the intersection of dolphin street and Pineapple avenue. Throughout the day other performing artists will sing, act, dance and play on the stage between opera sets

Music and Other Performances
November 4 – 6 Burns Square
daily live Performances on our Main stage located on laurel street.

Cellograff Art
November 4 – 6 – Public Can Participate
Burns Square
kanos and astro are traveling from Paris france to wrap Burns square in cellophane and create walls for aerosol artists to create vertical art that will change each day of the festival. This demonstration is highly interactive and a fun way to express yourself without imposing on others personal property. Bring your own aerosol cans and participate.

Going Vertical – Painting Walls
November 1 – 7
Various Locations throughout City
dozens of approved local artists and artists from all over the usa, france, Germany and italy will transform walls that have been pre-approved by property owners into works of art.

Kurt Wenner – A Private Evening
Lecture : Reawakening the Renaissance “Asphalt Renaissance” – A Private Evening with Kurt Wenner
World-renowned artist, architect and innovator of 3D pavement art, as he takes you through his journey that started in Rome and took him around the world. His studies of the European classical tradition found art to be a language of form with ancient roots that is still a valid vehicle for artistic expression. His studies and works include drawings, sculpture, decorative arts, paintings, architecture, as well as innovative contemporary media. Wenner will present a slideshow and lecture of his experience traveling and transforming the folk art of the Italian Madonnari into a lively, contemporary and international sensation.
November 1, 2011 @ 8:00 PM
Ringling College of Art & Design
Diana Roskamp Exhibition Hall
$25 adult/$15 student ID
Book signing after lecture

Kurt Wenner – Instruction Demonstration
“Street Painting Techniques”
World renowned 3D artist Kurt Wenner will provide an overview and demonstration of the various techniques used in pavement art in the past and current mediums, styles and cultures. This will be a hands on interactive class.
November 1, 2011 @ 9:00 AM
529 Clothesline Gallery, 529 S. Pineapple Avenue
$20 adult/$10 student ID

Kurt Wenner – Instructional Demonstration
“Perspective, 3D, Illusion Techniques”
One of the great myths of our time is that humans “see like a camera”. Photography is widely believed to be a major force in the demise of academic figurative traditions in the visual arts and in the birth of modernism. Humans do not see like a camera and before the invention of photography, artists never felt responsible for replicating nature. Perspective illusions are the outward projection of human experience and imagination from the back of the eye onto surfaces in the physical world. Wenner will discuss the history of illusion and demonstrate the mathematical solutions to ancient problems in depiction. This will be a hands on interactive class.
November 3, 2011 @ 9:00 AM
529 Clothesline Gallery, 529 S. Pineapple Avenue
$20 adult/$10 student ID

Kurt Wenner – Instructional Demonstration
“Classical Drawing”
Classical drawing is often misunderstood as a style of art. Instead, it is a language of depiction that encompasses many historical and personal styles. The structure of classicism is rooted in ancient principles of sacred geometry and human perception. No other artistic language has surpassed its ability to communicate form and space to the viewer. Wenner will demonstrate that a classical drawing is fundamentally both “abstract” in structure and “pure” in design.
November 5, 2011 @ 9:00 AM
529 Clothesline Gallery, 529 S. Pineapple Avenue
$20 adult/$10 student ID

Kurt Wenner – Lecture
“Architecture and Architecture Detailing”
Classical architecture in the ancient world was based on precise mathematical principles of symmetry. Proportion is a form of symmetry that requires all of the parts of a building to maintain a precise relationship to the whole. Decorative elements of a building must therefore be designed and fabricated in order to make an architectural design into a unified work of art. This lecture will discuss both the design and production of original architectural details.
Book signing reception at JWood Realty following lecture, 330 S. Pineapple Avenue in Burns Square.
November 2, 2011 @ 5:00 PM
Ringling College of Art & Design
Academic Center Auditorium
$20 adult/$10 student ID
Book signing reception at JWood Realty following lecture, 330 S. Pineapple Avenue in Burns Square.

Kurt Wenner – Lecture
“History of Pavement Art”
Pavement art has a rich, colorful, and varied history that is often “simplified to the point of being wrong”, by writers who have little personal experience with the various traditions or the protagonists. Wenner will describe the cultural roots and methods of the italian madonnari, the German strassenmaler, and the British screevers. All of these cultural traditions have been used as a foundation for the current emergence of pavement art as a global artistic phenomenon, which still provides opportunities for artists and students. Rare photos and engravings of historical pavement artists will accompany the lecture/slideshow.
November 4, 2011 @ 4:00 PM
Ringling College of Art & Design
Academic Center Auditorium
$20 adult/$10 student ID

Jim Prigoff – Lecture
“Fourty Years of Spray Can Art”
Documenting urban murals worldwide since the 1960’s, Prigoff’s personal photography collection of spraycan art (graffiti) is one of the most extensive in the world. He will share with you his collection of not only photographs, but amazing stories on his years documenting this urban art form. He is the co-author of several books on the subject. Book signing follows the lecture.
November 4, 2011 @ 8:00 PM
Ringling College of Art & Design
Academic Center Auditorium
$20 adult/$10 student ID

GADZOOKS! Starring Alex the Beck

Saturday, October 1, 2011
529 Clothesline Gallery, 529 S. Pineapple Avenue

Alexander Buckley Beck, born in Arlington VA 1990, was raised by an artistic east coast family.  At a young age, Alex was introduced to art as a lifestyle and chose to follow the path of an illustrator. This journey first brought him southward to attend the Ringling College of Art and Design. There, Alex gained the enthusiasm to create daring works of art.

Then in 2010, Alex Beck enrolled as a student in the Illustration Masters Class to learn from the likes of James Gurney, Donato Giancolo, and Dan Don Santos. He seized every opportunity to make teachers of his idols. With the help of John English, Alex went on to study under award-winning illustrator Mark English,  as well as Sterling Hundley, Gary Kelly, and Marshall Vandruff.

Most recently, Alex Beck’s work was featured in the 2011 Society of Illustrators group show in New York City. Today, he prepares for to his first solo exhibition in downtown Sarasota, FL.

Opening reception: 5:00pm – 9:00pm

Brushing Up on the iPad

300 Words by Kevin Costello
This electronic world we share is an inheritance of the Industrial Revolution with its specializations, standardizations, and synchronizations; itself a consequence of the Rationalism of the Enlightenment and the empathetic musings of (humanistic) Renaissance mathematicians – a world codified in our own time in emails, websites, and the mobile GPS.

300 Words by Kevin Costello

This electronic world we share is an inheritance of the Industrial Revolution with its specializations, standardizations, and synchronizations; itself a consequence of the Rationalism of the Enlightenment and the empathetic musings of (humanistic) Renaissance mathematicians – a world codified in our own time in emails, websites, and the mobile GPS. It took the Geeks 500 years to deliver the mail. Now we are sharing where we are on-line in a nanosecond and encounters are left less and less to chance. Forget Bogart and Bacall. Romantic meetings in the rain are so yesterday. Besides, water could screw up your cell in a moment of inspirational sexting. Also, on-line video contests on YouTube (with their Leviathan imaginary audience) are far more visceral to a teen than a family argument. Facebook et al has brought us to self-validation as a life style and there is no going back from this technological fulcrum of cultural self examination, or lack thereof. On-line self portraiture is the personification of our icon driven age.

What all this means to artists is important because the speed by which a culture moves its population and information is in direct relation to how we conceptualize our art. The psychological speed of our design sense is determined by these two factors: The massive scale of available on-line information (not ideas which are different) has made the artist a sort or Harlequin. In order to be relevant and strong intellectually, the artist must be both solipsist and clown with tambourine in hand beating the pulse of the information age even if its medium of expression is unplugged.

David Hockney's iphone flowers

The British artist David Hockney drew the June 13 and 20, 2011, covers of The New Yorker on his iPad. Previously, he drew two covers on his iPhone. Today Hockney says his iPad is “my sketchbook at the moment.” Hockney will be exhibiting new work at London’s Royal Academy in 2012. The exhibition will consist of approximately 70 of his iPad drawings depicting “winter slowly turning into spring.” Now that the Geeks have got us here after all this (with the pace and pulse faster than a speeding server), are we right to assume art will not only change its significance and appearance it may change the inner lives of the children of the computer screen in ways beyond anything known before to the paint brush pushers?

Four Portfolios of the Twentieth-Century: Archipenko, Gropper, Evans, and Doisneau

July 16-November 13
Museum of Fine Arts, St. Petersburg, FL

We bring together two lithographic and two photographic portfolios by four important artists. The portfolios by Alexander Archipenko and Robert Doisneau are European, while those of the photographer Walker Evans and artist William Gropper are decidedly American.

Archipenko’s Sixteen Lithographs, known as the Wasmuth portfolio (1921), is an outstanding early body of work. Commissioned by the noted publisher Ernst Wasmuth of Berlin, the prints were created soon after the modernist sculptor departed from the Paris art world and broke with the Cubists.

Gropper’s portfolio of color lithographs, the Watergate Suite (1973), was given to the Museum in 2010 and is being shown for the first time. Gropper was a social realist whose art came of age during the Great Depression. Here he addresses the congressional hearings on the Watergate scandal, which led to Richard Nixon’s resignation.

Doisneau’s photographs capture Paris and its environs from 1944-1972. They reveal his love for the city, as well as his abundant sense of humor and humanity. Among the 15 images is his famous Kiss of the Hôtel de Ville (1950). Doisneau’s photographs have been instrumental in creating the vision of Paris in the popular imagination.

Evans’s posthumously published portfolio contains some of his earliest photographs, including a rarely-printed image of the Brooklyn Bridge (about 1928). The 14 others include signature photographs of the South, created under the auspices of the Works Progress Administration (WPA) during the 1930s, as well as works from the late stage of his career. These diverse portfolios encourage us to explore the past century through documentary and street photography, modernist experimentation, and political imagery and commentary. They also reflect the vitality of the Museum’s collection of works on paper.