SARTQ: RED

Sarasota visual art collective with new exhibit around the theme of the color red. Palmetto Art Center, February 10 – March 9, 2017

February 10 – March 9, 2017
Palmetto Art Center
Opening Reception Friday, February 10 6-9pm

SARTQ: RED exhibition, will fill the beautiful Palmetto Art Center with glowing color. Whether scarlet, crimson, maroon, vermilion, berry, ruby, rose, burgundy, carmine, brick, or cerise – red is both satisfying and exciting. The strong feelings suggested by the color red – passionate love, blood and anger – are always stimulating!

“A thimble full of red is redder than a bucketful.” – Henri Matisse

The 10 artists in the exhibition celebrate the many ways to see the color red. “Red can boost your energy, it exudes confidence and is life-affirming. In addition, this exhibition gives all art lovers something different to do with their sweethearts for their Valentine’s celebration,” says SARTQ co-founder Tim Jaeger.

The artwork in this group show includes printmaking, collage, drawing, video installation, sculpture and painting. In addition, FREE red silk screened prints will be made for the public right before their eyes while meeting the members of SARTQ. Attendees may bring their own clothing items such as t-shirts, pants, scarfs etc., though any item that can lie flat under the screen and will accept ink can be printed on.

SARTQ: RED exhibition is open to the public with no admission fee. Cash bar and live music by Hunter Brown will be provided. Following the opening reception, the Palmetto Art Center gallery will be open Saturday, February 11th from 11AM – 1PM. Also, Mondays, Tuesdays and Thursdays, Noon – 2PM, and by appointment.

The 10 participating SARTQ artists include Jeffery Cornwell, Elena De La Ville, Zachary Gilliland, Tim Jaeger, Cassia Kite, Jenny Medved, Laine Nixon, Javier Rodriguez, Steven Strenk, and Jill Taffet

For more information:
941.518.2109
sartq.org
info@sartq.org

The Palmetto Art Center is located at:
907 5th Street West, Palmetto, Florida, 34221.
Right next door to Grower’s Hardware Store

Duke Riley: Flights of Fancy

January 13 – March 4, 2017
USF Contemporary Art Museum

USFCAM will present a solo exhibition of Brooklyn-based artist Duke Riley, known for his ambitious and immersive projects that investigate historical and contemporary social issues, often through subversive performative action. Featuring two projects in our gallery spaces, DUKE RILEY: Flights of Fancy explores and celebrates Riley’s history of examining the role and relationships of humans and nature through his interactions and interventions with pigeons in public space and the nautical landscape.

Duke Riley

CAM’s Lee and Victor Leavengood Gallery will feature a re-configuration of Duke Riley’s project, Trading with the Enemy (2013), where Riley bred and trained fifty homing pigeons to fly one-way from Havana to Key West, Florida. Half of the pigeons carried Cuban Cohiba cigars, the other twenty-five carried video cameras documenting the journey across the Florida Straits. The exhibition includes a pigeon loft, the smuggled cigars, and videos filmed by the birds, which Riley refers to as the “smugglers” and the “filmmakers”, as well as research material related to the historic flight training of the pigeons. This project specifically references the US trade embargo on Cuba and contributes to the evolving dialogue and diplomatic relationship between the countries as well as referencing the State of Florida’s history of trade with Cuba and its direct influence on the development of the cigar industry and socio-political landscape of Ybor City and West Tampa.

CAM’s West Gallery will include photographs from Riley’s most recent work and largest project to date, Fly By Night (2016), produced for the New York-based public art organization Creative Time. Expanding on his history of working with pigeons, Riley converted a former naval ship into a floating pigeon loft and trained 2000 pigeons, outfitted with small illuminated LED bands, to fly in orchestrated performances above New York City’s East River. Captured during evening performances over the six-week run of the project, the time-lapse photographs document the flight patterns of the birds, swirling, twirling and swooping as moving constellations in the night sky. Paying homage to the waning culture of pigeon fanciers, Riley’s Fly By Night reimagines the role of the pigeon from a nuisance dweller within the urban landscape to a celebrated and revered messenger, companion and collaborator.

Riley’s work encompasses drawing, printmaking (the artist will be in residency at Graphicstudio to create two prints over the course of 2017), mosaic, sculpture, video and performative interventions. His signature style interweaves historical and contemporary events with elements of fiction and myth to create allegorical histories. His re-imagined narratives, presented in his distinct scrimshaw and maritime aesthetic, comment on a wide range of issues, from the cultural impact of overdevelopment and gentrification of waterfront communities, to contradictions within political ideologies as well as commerce and the role of the artist in society and at war.


RELATED EVENTS

CONVERSATION WITH DUKE RILEY *
January 13, 6pm
USF School of Music Barness Recital Hall (MUS107)
Artist Duke Riley joins curator Sarah Howard for a conversation about his work prior to the opening reception.

DUKE RILEY: FLIGHTS OF FANCY OPENING RECEPTION
January 13, 7-9pm
USF Contemporary Art Museum

ART THURSDAY: CURATOR’S TOUR
January 26, 6-8pm
USF Contemporary Art Museum
Join USFCAM Curator Sarah Howard for a tour of Duke Riley: Flights of Fancy.

ART THURSDAY: FOR THE BIRDS *
February 2, 6-8pm
USF Contemporary Art Museum
Come learn about the fascinating world of pigeons with world-class pigeon fancier and “Legend of the Sport” Erio Alvarez from Tampa’s own Alvarez Lofts. Alvarez will discuss the breeding and racing of pigeons and the history of the sport in the Tampa Bay region.

SYCOM CONCERT: MUSIC FOR FLIGHTS OF FANCY
February 17, 7-9pm
USF Contemporary Art Museum
This two-hour concert will feature the students and faculty of USF’s Composition and Electronic Music Studio performing original compositions inspired by the artworks in CAM’s exhibition Duke Riley: Flights of Fancy.

ART THURSDAY: FLY BY NIGHT WITH CREATIVE TIME’S JEAN COONEY *
February 23, 6-8pm
USF Contemporary Art Museum
Learn more about Fly By Night, artist Duke Riley’s public artwork of unprecedented scale and beauty produced by Creative Time, a NY-based public art agency that works with artists to contribute to the dialogues, debates and dreams of our times. Creative Time’s Director of Public Projects Jean Cooney will share insights to the unique challenges presented from her experiences with temporary projects in public space.

*American Sign Language Interpreters will be available at these events.


MUSEUM HOURS + ADMISSIONS

USFCAM Hours: Mon-Fri 10am-5pm, Thurs 10am-8pm, Sat 1-4pm.
Closed Sunday and University holidays (January 16)
Admission to the Museum is free; however a USF parking permit ($5.00 daily) or pay-per-space parking is required. Please visit our website cam.usf.edu for parking, directions, or more information on events associated with the exhibitions. Groups and organizations interested in tours should contact USFCAM to schedule at least two weeks in advance. Call (813) 974-4133 for additional information.

Duke Riley: Flights of Fancy is supported in part by a grant from the Arts Council of Hillsborough County, Board of County Commissioners, and by the USFCAM Art for Community Engagement (ACE) Fund Patrons. The USF Contemporary Art Museum is recognized by the State of Florida as a major cultural institution and receives funding through the State of Florida, Department of State, Division of Cultural Affairs, the Florida Council on Arts and Culture, and the National Endowment for the Arts. The USF Contemporary Art Museum is accredited by the American Alliance of Museums.


University of South Florida
4202 E. Fowler Ave. CAM101, Tampa, FL 33620

(813) 974-4329
fax (813) 974-5130
http://www.ira.usf.edu

Facebook: https://www.facebook.com/usfcamfan
YouTube: https://www.youtube.com/irausf

SECOND SKIN curated by Sarah Viviana Valdez

POP-UP exhibition featuring works by Irene Garibay, Ava Howard, Ruzica Ivanovic, Celia Garcia Nogales, Sophia Schultz and Sarah Viviana Valdez, curated by Sarah Viviana Valdez.

SECOND SKIN curated by Sarah Viviana Valdez

The work in Second Skin explores tactile interconnectivity. The artists’ ideas have naturally merged by means of interactions with all sorts of materials to define the context of the second skin. These artists have in common an understanding of the body as an entity that expands out its physical contour. Dynamic semiotic materials that form diverse bodies that co-shapes one another. Donna Haraway mentions in When Species Meet that “ … figures have always been where the biological and literary or artistic come together with all of the force of lived reality. My body itself is just such a figure, literally.” She curiously observes the doubleness of our world, where we exist in mundane synergy.

The skin has sensors, consumes experiences, provides a shelter, retains memory, can be subtracted, added or manipulated, changes through time, sheds and regenerates. It interconnects a collection of memories that play an essential role for species when they respond and relate to one another. The final result of this survey is guided through a series of works created with methods that exist outside of the material and transport the spectator and the artist inside the body.

Artists Bio’s:

Irene Garibay (Mexico City, 1991) received her B.A. in Fine Arts from Ringling College of Art and Design in 2016 with a trustee scholarship. She is currently working on a grand sculpture for Ringling Collage’s library through the Nancy Markle sculpture grand.

Sophia Schultz is an Anthropology thesis student receiving her B.A at New College of Florida. Born and raised in Sarasota her art focuses on the body as a home for trauma and healing. She works primarily with installations, photography, and video to engulf the audience into a narrative.

Ružica Ivanović comes from Bosnia and Herzegovina, she is currently a senior in Fine Art in Ringling College of Art and Design, with a main interest in sculpture and installation work.

Ava Z. Howard is an interdisciplinary artist, activist, and organizer in Sarasota, Florida. She is currently working on her B.A at the New College of Florida, as well as organizing with Nothing Arts Collective. Ava studies and is active in the social sciences and art, and allows these intersections to inform her work.

Celia Garcia Nogales (Madrid, Spain) is a student of Fine Arts at Ringling College of Art and Design. She concentrates on printmaking processes and collage.

Sarah Viviana Valdez is a multi-disciplinary artist and independent curator based out of Sarastoa, FL. She received her B.F.A from the Ringling School of Art and Design Fine Art department in 2010.

Artworks:

Celia Garcia Nogales and Ruzica Ivanovic
Dermis
Canvas, wood, projectors and digital video.
(Performance during the opening reception)
In collaboration we have made a video projection piece that speaks about the composition of the skin layers and the hidden events under its superficial tissue.

Ava Z. Howard and Sophia Schultz
‘my home holds me in, and what seeps through’
Canvas, natural dyes, wood, cyanotypes photographs, plants, steel rod, found objects
This piece recognizes the second skin as being one of multiple layers. When descending past the surface it reveals what cannot be seen and what is protected. Remnants of the self, vulnerability, growth, and memory are found within this actualized space.

Irene Garibay
Trozos Alrededor (Slices Around)
Scoby (cultures of bacteria and yeast present during production of kombucha), hemp string and light bulb.
Trozos Alrededor is a sculpture that intends to reveal fragmented materiality. The sculpture is the space, the sculpture is the smelly body in decay, drying out and cracking.

Sarah Viviana Valdez
Biodegradable Gorget : Prototype I
Scoby (cultures of bacteria and yeast present during production of kombucha, mycelium chest plate (root of a mushroom), corn stalk, flour, concrete blocks and hemp rope.
This gorget accessory is part of a series of prototypes that biodegrade and merges biology with design. The materials propose a needed identity for me and to our developing counter culture—to establish a true connection to the natural decaying world.

Intra-Figure
Guache, salt water, cold press rag paper

Solace Death: Critter I
Digital Animation 00:00:30 Loop
This animation and painting is part of a series where each figure goes through a stage in death.


Exhibit runs until November 5th
Gallery Hours: Monday thru Saturday (10 am – 4:00 pm)

Art Center Sarasota
www.artsarasota.org
707 N. Tamiami Tr, Sarasota, FL 34236
941-365-2032

Upholding Tradition – Tattoo Art of Karl Boardman

September 24 – October 15, 2016
Solid, Sarasota

Ancient as time, modern as tomorrow – tattooing is an age old art form that never stops progressing. Karl Boardman is an artist giving the traditional flash style fresh blood. “I like to pay homage to the history of tattooing,” says Boardman, “I honor the classic guidelines and add my touch.”

Karl Boardman

Boardman is an artist born and raised in Florida. He apprenticed at a shop in San Francisco and recently relocated to Sarasota. He is one of the few tattoo artists in Sarasota who draws in the traditional style. He currently works out of Liberty Tattoo Club. Follow Karl Boardman’s work at www.instagram.com/hellsgnaw/

Closing Reception Party for the current exhibit “Upholding Tradition” is coming up next Saturday the 15th from 6-9pm

SOLID
530 south Orange ave, Sarasota, Florida 34236

Between Zero & One

Alfstad& Contemporary presents the inaugural show of its fourth season, Between Zero and One, a solo exhibition of works by artist Michael Wyshock

Alfstad& Contemporary
September 30 – October 28, 2016

Alfstad& Contemporary presents the inaugural show of its fourth season, Between Zero and One, a solo exhibition of works by artist Michael Wyshock, in which he examines the space that exists between spaces, and how those spaces are altered when objects are realigned in both color and form. The Opening Night reception is September 30th and the exhibit runs through October 28th.

Facebook Event: https://www.facebook.com/events/1784124765163903/

Michael Wyshock Painting
Michael Wyshock: Between One and Zero

“Between Zero and One highlights Michael’s intellectual and intuitive color, layering and manipulation techniques,” says Sam Alfstad of Alfstad& Contemporary. “His work is adventurous, showcasing art that displays depth, texture and a refinement that is visually stimulating.”

Opening Friday, September 30 (5:30-8pm)
Live Band, local craft beer and lite bites.

Alfstad& Contemporary
1419 5th St, Sarasota, Florida 34236