“Florida in Context” – A Fine Art Photography Exhibition by Virginia Hoffman

March 1-31 at the Historic Chidsey Library
The exhibit showcases Hoffman’s photographic images of old Florida buildings, abandoned factories, and unintentional still lives and vistas, including relics of boom-and-bust development

March 1 – 31, 2013
Historic Chidsey Library Building, Sarasota

“Florida in Context,” a photography exhibition by Sarasota-based artist Virginia Hoffman, is March 1-31, at the Historic Chidsey Library Building, 701 North Tamiami Trail, Sarasota. The exhibit showcases Hoffman’s photographic images of old Florida buildings, abandoned factories, unintentional still lives and vistas, including relics of boom-and-bust development. An opening reception with the artist is Friday, March 1, 5:30-7:30 p.m. For more information, call 941-400-5217.

"Citrus Growers House" featured image for exhibition, a remnant of the citrus industry of the past, possibly a home to the workers who toiled there.
“Citrus Growers House” featured image for exhibition, a remnant of the citrus industry of the past, possibly a home to the workers who toiled there.

Virginia Hoffman is celebrated in Sarasota for her work in the high-end interior design industry. For the past 30 years, Hoffman has created one-of-a-kind sculptural furniture, architectural glass works and free-standing sculpture. The artist says she’s now turning her creativity towards fine art photography and mixed-media. Photography is nothing new to Hoffman; she remembers setting up her first darkroom in the family bathroom when she was only 14.

“My first camera was a plastic toy purchased for one dollar,” she says. “Later on, I graduated to a Minolta twin lens reflex that my sister’s boyfriend gave me. I learned how to take my first images by reading the instructions provided with the Kodak film. I guess I’ve always been fascinated by photography—and glad I’ve found my way back after all of these years.”

"Dead Elephants" Relics of the boom & bust development evident all over Florida they start, the stop they leave barren land and relics behind. This image was taken on the edge of the  Fakahatchee Strand .
“Dead Elephants” Relics of the boom & bust development evident all over Florida they start, the stop they leave barren land and relics behind. This image was taken on the edge of the Fakahatchee Strand .

There’s another good reason for her switch to a new medium. Hoffman says that after 30 years working with such physically demanding media as metal and heavy glass, her new focus suits her perfectly. “Using today’s state-of-the-art digital technology has opened up so many new possibilities and creative expressions for me,” she says. “I don’t have to haul materials that weigh a ton or wear safety glasses when I work,” she laughs, adding, “but I’m still sculpting. Only now I sculpt with light. Photography, for me, is not so much about context as it is about capturing light.”

According to Hoffman, “Florida in Context,” showcases images that reveal old Florida. “I try to capture the unusual, the ordinary, the ignored and rejected,” she says. “Perhaps I can stimulate an interest in preserving places that sit quietly in the dust by revealing their essential rustic beauty.” Hoffman says she employs various methods in her work, including alternative processing techniques and mixed-media, including encaustic or painting with wax.

"Willow Bridge"  Abandon railroad trestle bridges left to decay, sits today with the natural patina of time, unmarred by graffiti and beer cans due to its remote location.
“Willow Bridge” Abandon railroad trestle bridges left to decay, sits today with the natural patina of time, unmarred by graffiti and beer cans due to its remote location.

The artist captures her images during her travels on the region’s back roads, often with fellow photographers. “It always fascinates me when I go on a trip with my buddies and we come back after photographing a place or thing and I discover that they saw something I didn’t see. I’m also struck by the way they expressed something that I photographed in one way but has become so different after being translated through their aesthetic and mind’s eye.” She says the unofficial name of the unofficial group is the “Pinhole Wizards,” and comprises fellow photographers, Matt Allision, Salvatore Brancifort, Brian Bruan, Chris Thibaut, and Richard Porter. Some of their work will be on display along with Hoffman’s at this exhibit.

For more information about Virginia Hoffman, visit http://srqcreativeindustries.com


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