Dorothea Lange’s America Exhibit at FMoPA

November 15, 2012 – January 27, 2013
Florida Museum of Photographic Arts

Lange’s immortal portraits seared these faces of the Depression era into America’s consciousness. Also included in the exhibition, notable social documentarians of the era, Walker Evans, Ben Shahn, Wright Morris, Mike Disfarmer, and others.

November 15, 2012 – January 27, 2013
Florida Museum of Photographic Arts

Lange herself had known adversity early in life. At age 7 she was stricken with polio, which left her with a lifetime limp. And at age 12 her father disappeared from the scene, leaving an impoverished household behind. Every day she would ride the ferry with her mother from Hoboken to lower Manhattan, to a roiling working-class neighborhood teeming with immigrants.

Migrant Mother, Nipomo, California, 1936, From the private collection of Michael Mattis and Judith Hochberg, courtesy of Art2Art.

During that period Lange talked her way into photo courses with a range of teachers as diverse as Arnold Genthe and Clarence White. In 1918 she moved to San Francisco where she befriended the photographers Ansel Adams and Imogen Cunningham, and, through them, the celebrated Western painter Maynard Dixon, who became her first husband. She soon opened a thriving portrait studio that catered to San Francisco’s professional class and monied elite. But with the crash of 1929 she found her true calling, as a peripatetic chronicler of the many faces of America, old and young, urban and rural, native-born and immigrant, as they dealt with unprecedented hardship, sometimes with resilience, often with despondence.

The Church is Full, near Inagh, County Clare, Ireland, 1954, From the private collection of Michael Mattis and Judith Hochberg, courtesy of Art2Art.

Her immortal portraits seared these faces of the Depression era into America’s consciousness. Also included in the exhibition, notable social documentarians of the era, Walker Evans, Ben Shahn, Wright Morris, Mike Disfarmer, and others.


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